It’s a good idea to experiment with this filter using the B&W setting, as opposed to shooting in color and converting the image to B&W in an image processor. Blue filters can draw attention to haze and fog, which can enhance the mood of the photo if needed. Green filters may lighten the sky, so landscape photographers should take note of this when using it.īlue filters are not as commonly used in black and white photography because they lighten the sky and darken highlights or colors that are seen as light. They have a more specific use and are not as commonly used as the other filters, but green filters are extremely useful for the nature photographer. Green filters lighten dark green foliage and boost light green foliage. It helps to darken the clouds slightly, and it also separates light green foliage from the darker shades of green. Yellow filters are even subtler than orange filters, making it a ‘classic’ choice for beginners just starting to explore using filters with black and white photography. It also helps to decrease haze and fog, but it’s effects on the sky and clouds are subtler than the red filter. Orange filters increase contrast between tones in textures such as tile or bricks, making it a good choice for general use and urban or abstract photography. In some cases, depending on its strength, a red filter could even turn the sky black. It can also decrease the effects of haze and fog. A red filter will deepen a blue sky and make white clouds pop out. In nature photography, a red filter will increase the contrast between red flowers and green foliage. Red filters are a favorite among landscape photographers and are often used to add drama. There are Red, Orange, Yellow, Green and Blue filters for use in B&W photography. There are specific filters for B&W photography that lighten similar colors and darken opposite colors, thereby enhancing the monochromatic look. Some photographers use them for various artistic affects. These filters have fallen out of use recently because this type of color temperature correction can easily be achieved with image processing software.
Without the 80A, your image will be abnormally warm/reddish orange. The 80A enables you to shoot under tungsten light when the color temperature/white balance is set for daylight.
Without the 85B filter, your image will have a blue color cast to it. The 85B enables you to shoot in the daylight when the white balance/color temperature is set for tungsten.
The 85B (warm-up/orange filter) and the 80A (cool-down/blue filter) are the two standard filters for compensating for color balancing. daylight is cooler and appears blue, whereas tungsten is warmer and appears reddish orange). However, you can use a Color Balancing filter to compensate for the various differences in the photographed color of light (e.g. This is what the white balance is used to control, and you use a color balancing filter to affect a change in your light sources. But in photography, you have to make a choice to capture images with the camera’s white balance set to record whitish blue light of daylight or set to record the reddish-orange tungsten (incandescent) light… with a few variations (i.e. As you know, visible light is made up of a multiple color spectrum.